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ChrisðŸĨ‡Steinway Excellent Instructor😃Most Interesting Course🎞

Fundamental🎈Classical🎞Hobby
1034āļšāļ—āđ€āļĢāļĩāļĒāļ™āļ—āļĩāđˆāđ€āļŠāļĢāđ‡āļˆāļŠāļīāđ‰āļ™āđāļĨāđ‰āļ§

āļāļēāļĢāđāļ™āļ°āļ™āļģāļ•āļąāļ§āđ€āļ­āļ‡

Speaks
āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐB2 Upper-Intermediate
āļ āļēāļĐāļēāļˆāļĩāļ™āļāļ§āļēāļ‡āļ•āļļāđ‰āļ‡C1 Advanced
āļ āļēāļĐāļēāļˆāļĩāļ™āļ•āļąāļ§āļĒāđˆāļ­Native
+1
ðŸ”ĨðŸ”Ĩ🍀 Honer Roll 🍀ðŸ”ĨðŸ”Ĩ 🌞 (This spot is reserved for you) 🏅 Nicolas Zhuo - Silver Medal, Steinway & Sons International Piano Competition 🏅 Luke Li - Distinction in ABRSM Music Theory Grade 5, Distinction in ABRSM Piano Performance Grade 6 🏅 Huan Rui Zhao - First Place, Irmler International Piano Competition 🏅 Shanice Liu - Distinction in ABRSM Music Theory Grade 5, Distinction in Piano Performance Grade 6, Second Place in Kawai International Piano Competition 🏅 Elli Wang - Distinction in ABRSM Music Theory Grade 5, Merit in Piano Performance Grade 8 🏅 Laura Zeng - Distinction in ABRSM Piano Performance Grade 8 🏅 Coco Shen - Merit in ABRSM Piano Performance Grade 8 🏅 Hao Ming Wang - Distinction in ABRSM Piano Performance Grade 8 😁 Many more not listed due to space limitations... 😎Invited to Perform at Office of the President 🉑Chinese, English, and Cantonese ðŸŽą10 years of teaching experience 📏Systematic Music Enlightenment Course for Children 🏅Steinway & Sons Excellent Instructor ðŸĨ‡ABRSM Piano and Music Theory Examinations, students have repeatedly won Distinction 🏆Students won gold medals in the Irmler International Piano Competition and Steinway International Piano Competition 🎧I was invited by Evergreen Laurel Hotel to improvise and can guide popular piano performances 🔎 About Chris â›ģ Learning experience: Started to learn piano at the age of five, and entered music class in elementary school, majoring in piano and minoring in trumpet. When I was in middle school, I served as the principal trumpet, and led various school concert performances, acting as director and arranger. In high school, I served as the piano accompaniment in the inter-school joint choir; participated in the viola performance of Mr. Zeng Weimin's musical theater orchestra. After graduation, I continued to study under the doctor of Moscow Conservatory of Music, Zhu Qingmei, and continued to study piano performance and piano education. Participate in various master classes and lectures, including Professor Li Mingqiang, third runner-up in the International Chopin Piano Competition, Professor Dan Zhaoyi from Shenzhen Arts Institute, and Steinway artist Tian Jiaxin, etc. 💁‍♂ïļ Teaching experience: ðŸ”ļTeacher of the Piano Club of Taiwan Ocean University in 2011 ðŸ”ļIn the 2017 Musicplus Music Education, the presentation of the achievements of Musicplus teachers and students was held. ðŸ”ļGuiding ABRSM Royal Academy of Music examinations at all levels, including piano, music theory, and aural. ðŸ”ļGuiding the Shanghai Conservatory of Music examination ðŸ”ļGuiding the China Conservatory of Music examination ðŸ”ļGuided students to participate in the International Steinway Piano Competition and won the gold medal in the German Irmler International Piano Competition Outstanding Instructor of Guangdong Students in the Contemporary Chinese Television Art Production Center of the National History Society of China ðŸ”ļWon the Outstanding Instructor Award in the Shenzhen Division of the 85th Steinway International Youth Piano Competition ðŸŽđ Perfomance : ðŸ”ļ2021 Rachmaninoff - Musicaux op.16 Ravel - Ma mÃĻre l'Oye ðŸ”ļ2020 Rachmaninoff - 6 Pieces for Piano 4 Hands op.11 Beethoven - Piano Sonata No.21 waldstein ðŸ”ļ2019 Mozart - Piano Sonata for 4 Hands K.381、K.521 Bach - Well Tempered Clavier BWV 881、BWV863 ðŸ”ļ2018 Chopin - Polonaise op.53 Schuburt - Fantasie D.940 Mozart - 12 Variationen Þber ein franzÃķsisches Lied "Ah, vous dirai-je, maman ðŸ”ļ2017 Ravel - Alborada del gracioso Prokofiev - Visions fugitives, op. 22 ðŸ”ļ2013 【Leaving the Mainland for Taiwan】Musical 🔎 Teaching Projects 🍓 Children's Enlightenment and Music Appreciation🍓 💞 Prioritize the establishment of children's interest in learning 🎧 Build children's sensitivity to music through listening and music appreciation ⭐ïļGentle, patient, careful guidance, children not only walk steadily but also go far on the road of music ðŸ”ĨðŸ”ĨðŸ”ĨMusic appreciationðŸ”ĨðŸ”ĨðŸ”Ĩ HOT course! ! ðŸĪđ‍♀ Lead you to listen to all kinds of music, including classical, pop, jazz ðŸ•ķ Learn quickly and easily without stress 🐇 Cultivate cultural heritage by telling stories â™Ķïļâ™ĶïļãŠ™ïļMusic Theory & Listening㊙ïļâ™Ķïļâ™Ķïļ 🖌ABRSM Royal Academy of Music Piano, Aural, and Theory 🔍With a unique teaching method that has been proven by years of research and experiments, it can be explained in simple terms and simplified 📝 All exam procedures can be handled on your behalf of you â™Ķïļâ™ĶïļãŠ™ïļPop Piano㊙ïļâ™Ķïļâ™Ķïļ 🔰 Zero Foundation 🉑 ❇ïļAdult pop piano, take you into the fastest way 🎞 You can learn staff or numbered notation ðŸŽļ Let you play your favorite songs ðŸŽĪ Self-playing and singing teaching, so that you can show off when you need it ðŸŽĻ Impromptu accompaniment teaching, you can accompany your favorite piano music with numbered notation â™Ķïļâ™ĶïļãŠ™ïļClassical Piano㊙ïļâ™Ķïļâ™Ķïļ ðŸĨ‡ Competition and Exam 🏋ïļâ€â™€ïļPowerful teaching system ☕ïļ Deal with various questions of practicing the piano 🚀 In his many years of teaching experience, Mr. Chris has been constantly researching teaching methods. The purpose is to bring music into everyone's heart. Under the rough appearance, there is a delicate musician full of enthusiasm and childlike innocence. Many parents of piano children are always full of setbacks on the way to practice. Teacher Chris hopes to be the pillar of the parents and support the growth of their children together. The happiest thing about education is watching the children encounter difficulties over and over again and accompany them to break through. I remember the moment when every child is suddenly enlightened. At this moment, we will all know that in the general environment of exam-oriented education Now, the joy that children feel because of their self-growth is extremely precious. Among the adult students, there are many people who want to realize their dream of music, maybe out of interest, or have other plans, no matter why you come, I hope you can temporarily put aside all trivial matters in class , talk to yourself through music, find the place you want to heal, and achieve a new self after each course Class rules: 1. It is recommended to send a message to remind the teacher before making an appointment 2. Do not be late for class on time, respect each other's time 3. If you have to be late, ask for leave, or change the time due to force majeure, you must notify the teacher in advance 4. Ask questions if you have any questions, don’t keep them in your heart, and you can make progress faster
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āļŠāđˆāļ§āļ™āļĨāļ”āļžāļīāđ€āļĻāļĐāļŠāļģāļŦāļĢāļąāļšāļĄāļēāļāļāļ§āđˆāļē 5 āļšāļ—āđ€āļĢāļĩāļĒāļ™āļ”āļđāļĢāļēāļ„āļēāļŦāļĢāļ·āļ­āļ•āļąāļ§āđ€āļĨāļ·āļ­āļāļ•āļ°āļāļĢāđ‰āļēāļŠāļīāļ™āļ„āđ‰āļēāļ”āđ‰āļēāļ™āļĨāđˆāļēāļ‡!

āđ€āļ§āļĨāļēāļšāļ—āđ€āļĢāļĩāļĒāļ™

āđāļŠāļ”āļ‡āļ•āļĨāļ­āļ”āđ€āļ§āļĨāļē
āđ€āļžāļĩāļĒāļ‡ 0% āļ•āļīāļ§āđ€āļ•āļ­āļĢāđŒāļ—āļĩāđˆāļĄāļĩāļ„āļļāļ“āļ āļēāļžāļŠāļđāļ‡
āļ•āļīāļ§āđ€āļ•āļ­āļĢāđŒāļ„āļļāļ“āļ āļēāļžāļŠāļđāļ‡āļ—āļĩāđˆāļ™āļąāļāđ€āļĢāļĩāļĒāļ™āļ™āļīāļĒāļĄāļˆāļģāļ™āļ§āļ™āļĄāļēāļ āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļĒāļāļĒāđˆāļ­āļ‡āđƒāļ™ AmazingTalker!
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337 āļšāļ—āļ§āļīāļˆāļēāļĢāļ“āđŒāļŦāļĨāļąāļāļŠāļđāļ•āļĢ

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    āļ”āļģāđ€āļ™āļīāļ™āļāļēāļĢāļ•āđˆāļ­

    āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļāļēāļĢāļ—āļģāļ‡āļēāļ™

    • 2016 - 2022 藝åĪšæ–‡åŒ–æ•™č‚ē
    • 2012 - 2014 長æĶŪæĄ‚å† é…’åš—
    • 2016 - 2020 éĶ™æļŊåš·åŪé‡‘čžé›†åœ˜
    • 2016 - 2018 éžŽåą•é‡‘æĨ­

    āļĢāļ°āļ”āļąāļšāļāļēāļĢāļĻāļķāļāļĐāļē

    • 2011 - 2015 台įĢæĩ·æī‹åĪ§å­ļ é›ŧæПå·ĨįĻ‹įģŧ

    āđƒāļšāļĢāļąāļšāļĢāļ­āļ‡āđƒāļšāļ­āļ™āļļāļāļēāļ•

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    āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļāļēāļĢāļ—āļģāļ‡āļēāļ™
    • 2016 - 2022 藝åĪšæ–‡åŒ–æ•™č‚ē
    • 2012 - 2014 長æĶŪæĄ‚å† é…’åš—
    • 2016 - 2020 éĶ™æļŊåš·åŪé‡‘čžé›†åœ˜
    • 2016 - 2018 éžŽåą•é‡‘æĨ­
    āļĢāļ°āļ”āļąāļšāļāļēāļĢāļĻāļķāļāļĐāļē
    • 2011 - 2015

      台įĢæĩ·æī‹åĪ§å­ļ

      é›ŧæПå·ĨįĻ‹įģŧ

    āđƒāļšāļĢāļąāļšāļĢāļ­āļ‡āđƒāļšāļ­āļ™āļļāļāļēāļ•
    • ABRSMæĻ‚į†äš”įīš

    • åŧĢæąįœå„Šį§€æŒ‡å°Žč€åļŦ

    • åēåĶåĻé‹žįī Steinway & Sons äļ­åœ‹å€å„Šį§€æŒ‡å°Žæ•™åļŦįŽ

    • 鋾įīæž”åĨ8įīš Piano Performance Grade 8

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      āļ›āļąāļāļŦāļēāļ—āļĩāđˆāļžāļšāļšāđˆāļ­āļĒ

      āļ§āļīāļ˜āļĩāļāļēāļĢāļˆāļ­āļ‡

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      • āļ–āđ‰āļēāļ„āļĢāļđāđ„āļĄāđˆāļ­āļ­āļ™āđ„āļĨāļ™āđŒāļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļˆāļ­āļ‡āļšāļ—āđ€āļĢāļĩāļĒāļ™āđ„āļ”āđ‰āļ™āļēāļ™āļ–āļķāļ‡ 24 āļŠāļąāđˆāļ§āđ‚āļĄāļ‡āđƒāļ™āļ āļēāļĒāļŦāļĨāļąāļ‡

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      • āļ„āļĨāļēāļŠāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ›āļĢāļ°āļĄāļēāļ“ 25 āļ™āļēāļ—āļĩ
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      • āļŠāđˆāļ§āļ™āļĨāļ”āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ‹āļ·āđ‰āļ­āļŦāļĨāļąāļāļŠāļđāļ•āļĢāļ—āļēāļ‡āļāļēāļĢāļĄāļēāļāļāļ§āđˆāļē 5 āļŦāļĨāļąāļāļŠāļđāļ•āļĢ (āļ‚āļķāđ‰āļ™āļ­āļĒāļđāđˆāļāļąāļšāļĢāļēāļ„āļēāļ‚āļ­āļ‡āļŦāļĨāļąāļāļŠāļđāļ•āļĢāļ‚āļ­āļ‡āļ„āļĢāļđ)

      āļ„āļģāļ­āļ˜āļīāļšāļēāļĒāļ„āļĨāļēāļŠ

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      āļŦāļĄāļēāļĒāđ€āļŦāļ•āļļāļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ–āļ­āļ™

      • āđ€āļĄāļ·āđˆāļ­āļĄāļĩāļ›āļąāļāļŦāļēāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļŦāļĨāļąāļāļŠāļđāļ•āļĢāļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āđ€āļĨāļ·āļ­āļāļ—āļĩāđˆāļˆāļ°āļĢāļēāļĒāļ‡āļēāļ™āļ›āļąāļāļŦāļēāđāļĨāļ°āļ„āļĢāļđāļŠāļēāļĄāļēāļĢāļ–āđ€āļĨāļ·āļ­āļāļāļģāļŦāļ™āļ”āđ€āļ§āļĨāļēāđƒāļŦāļĄāđˆāļŦāļĢāļ·āļ­āļ„āļ·āļ™āđ€āļ‡āļīāļ™ AT āđ€āļŦāļĢāļĩāļĒāļ
      • āļŦāļēāļāļ„āļĢāļđāđ„āļĄāđˆāļ•āļ­āļšāļāļĨāļąāļšāđ€āļāļīāļ™ 12 āļŠāļąāđˆāļ§āđ‚āļĄāļ‡āļĢāļ°āļšāļšāļˆāļ°āļ„āļ·āļ™āđ€āļ‡āļīāļ™āđƒāļŦāđ‰ AT āđƒāļŦāđ‰āļ„āļļāļ“āđ‚āļ”āļĒāļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļī
      āļ§āļīāļ˜āļĩāļāļēāļĢāļˆāļ­āļ‡
      • āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļˆāļ­āļ‡āļŦāļĨāļąāļāļŠāļđāļ•āļĢāļ•āļēāļĄāđ€āļ§āļĨāļēāļ‚āļ­āļ‡āļ›āļāļīāļ—āļīāļ™āļ‚āļ­āļ‡āļ„āļĢāļđāļŦāļĨāļąāļ‡āļˆāļēāļāļ‹āļ·āđ‰āļ­āļŦāļĨāļąāļāļŠāļđāļ•āļĢ
      • āļ–āđ‰āļēāļ„āļĢāļđāđāļŠāļ”āļ‡āđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ§āđˆāļēāļžāļ§āļāđ€āļ‚āļēāļŠāļēāļĄāļēāļĢāļ–āļŠāļ­āļ™āđ„āļ”āđ‰āļ—āļąāļ™āļ—āļĩāļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļˆāļ­āļ‡āļ™āļąāļ”āđ„āļ”āđ‰āļ—āļąāļ™āļ—āļĩ
      • āļ–āđ‰āļēāļ„āļĢāļđāđ„āļĄāđˆāļ­āļ­āļ™āđ„āļĨāļ™āđŒāļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļˆāļ­āļ‡āļšāļ—āđ€āļĢāļĩāļĒāļ™āđ„āļ”āđ‰āļ™āļēāļ™āļ–āļķāļ‡ 24 āļŠāļąāđˆāļ§āđ‚āļĄāļ‡āđƒāļ™āļ āļēāļĒāļŦāļĨāļąāļ‡
      āļ„āļģāļ­āļ˜āļīāļšāļēāļĒāļ„āđˆāļēāđƒāļŠāđ‰āļˆāđˆāļēāļĒ
      • āļ„āļĨāļēāļŠāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ›āļĢāļ°āļĄāļēāļ“ 25 āļ™āļēāļ—āļĩ
      • āļŦāļĨāļąāļāļŠāļđāļ•āļĢāđ€āļ›āđ‡āļ™āļ—āļēāļ‡āļāļēāļĢāļ›āļĢāļ°āļĄāļēāļ“ 50 āļ™āļēāļ—āļĩ
      • āļŠāđˆāļ§āļ™āļĨāļ”āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ‹āļ·āđ‰āļ­āļŦāļĨāļąāļāļŠāļđāļ•āļĢāļ—āļēāļ‡āļāļēāļĢāļĄāļēāļāļāļ§āđˆāļē 5 āļŦāļĨāļąāļāļŠāļđāļ•āļĢ (āļ‚āļķāđ‰āļ™āļ­āļĒāļđāđˆāļāļąāļšāļĢāļēāļ„āļēāļ‚āļ­āļ‡āļŦāļĨāļąāļāļŠāļđāļ•āļĢāļ‚āļ­āļ‡āļ„āļĢāļđ)
      āļ„āļģāļ­āļ˜āļīāļšāļēāļĒāļ„āļĨāļēāļŠ
      • āđ„āļ›āļ—āļĩāđˆāđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒ 10 āļ™āļēāļ—āļĩāļāđˆāļ­āļ™āđ€āļĢāļīāđˆāļĄāļŠāļąāđ‰āļ™āđ€āļĢāļĩāļĒāļ™āđ€āļĨāļ·āļ­āļāļŠāļąāđ‰āļ™āđ€āļĢāļĩāļĒāļ™āļ‚āļ­āļ‡āļ‰āļąāļ™āđ€āļžāļ·āđˆāļ­āļ„āđ‰āļ™āļŦāļēāļŠāļąāđ‰āļ™āđ€āļĢāļĩāļĒāļ™āđāļĨāđ‰āļ§āļ„āļĨāļīāļāđ€āļ‚āđ‰āļēāļŦāđ‰āļ­āļ‡āđ€āļĢāļĩāļĒāļ™āđ€āļžāļ·āđˆāļ­āđ€āļ›āļīāļ”āļŦāđ‰āļ­āļ‡āđ€āļĢāļĩāļĒāļ™ ZOOM āđāļĨāļ°āđ€āļĢāļīāđˆāļĄāļŠāļąāđ‰āļ™āđ€āļĢāļĩāļĒāļ™
      • āđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāļĄāļ·āļ­āļ–āļ·āļ­āđāļĨāļ°āļ„āļ­āļĄāļžāļīāļ§āđ€āļ•āļ­āļĢāđŒāļŠāļēāļĄāļēāļĢāļ–āđƒāļŠāđ‰ ZOOM āļŠāļģāļŦāļĢāļąāļšāļšāļ—āđ€āļĢāļĩāļĒāļ™ (āđ‚āļ›āļĢāļ”āļ”āļēāļ§āļ™āđŒāđ‚āļŦāļĨāļ”āđāļ­āļ› ZOOM āļāđˆāļ­āļ™)
      āļŦāļĄāļēāļĒāđ€āļŦāļ•āļļāļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ–āļ­āļ™
      • āđ€āļĄāļ·āđˆāļ­āļĄāļĩāļ›āļąāļāļŦāļēāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļŦāļĨāļąāļāļŠāļđāļ•āļĢāļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āđ€āļĨāļ·āļ­āļāļ—āļĩāđˆāļˆāļ°āļĢāļēāļĒāļ‡āļēāļ™āļ›āļąāļāļŦāļēāđāļĨāļ°āļ„āļĢāļđāļŠāļēāļĄāļēāļĢāļ–āđ€āļĨāļ·āļ­āļāļāļģāļŦāļ™āļ”āđ€āļ§āļĨāļēāđƒāļŦāļĄāđˆāļŦāļĢāļ·āļ­āļ„āļ·āļ™āđ€āļ‡āļīāļ™ AT āđ€āļŦāļĢāļĩāļĒāļ
      • āļŦāļēāļāļ„āļĢāļđāđ„āļĄāđˆāļ•āļ­āļšāļāļĨāļąāļšāđ€āļāļīāļ™ 12 āļŠāļąāđˆāļ§āđ‚āļĄāļ‡āļĢāļ°āļšāļšāļˆāļ°āļ„āļ·āļ™āđ€āļ‡āļīāļ™āđƒāļŦāđ‰ AT āđƒāļŦāđ‰āļ„āļļāļ“āđ‚āļ”āļĒāļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļī

      āļ„āļģāđāļ™āļ°āļ™āļģāļ‚āļ­āļ‡āļ­āļēāļˆāļēāļĢāļĒāđŒāļ—āļĩāđˆāļ„āļĨāđ‰āļēāļĒāļāļąāļ™

      AI āđāļ™āļ°āļ™āļģāļ•āļīāļ§āđ€āļ•āļ­āļĢāđŒ

      āļžāļīāļĄāļžāđŒāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāđ„āļ§āđ‰ āļˆāļ°āđāļ™āļ°āļ™āļģāļ•āļīāļ§āđ€āļ•āļ­āļĢāđŒāđ€āļŦāļĄāļēāļ°āļ•āļēāļĄāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ„āļļāļ“āļ āļēāļĒāđƒāļ™ 3 āļ™āļēāļ—āļĩ!

      āļ‹āļ·āđ‰āļ­āļŦāļĨāļąāļāļŠāļđāļ•āļĢ

        āļ•āļīāļ”āļ•āđˆāļ­āļ­āļēāļˆāļēāļĢāļĒāđŒ